The 2018 editions of Firsthand Guide to Bled, Slovenia are no longer available . But you can download the book here.
From the BBC’s blog archive the story of The Bottom Line/Across the Line
Virtual reality on the podcast this time. Davy Sims talks to three people creating a VR and an immersive media industry in Northern Ireland. Dee Harvey is a producer as is Phil Morrow who runs the production company RETìníZE and Nigel McAlpine who runs Storyfx and Digital Catapult in Belfast.
Music journalist Stuart Bailie’s new book Trouble Songs will be officially published in May, but it’s already starting to stir conversations and commentary. He takes on difficult stories from our history since the mid-1960s at the place where music meets social and political change and through interviews and analysis tries to understand and explain what happened.
It will be in the shops around now, but you can also order it on the web at TroubleSongs.com
Innovations and new ventures in this episode of the podcast (with the really clever name). From TV to YouTube and celebrating collaboration with Digital DNA Belfast. Maxine Mawhinney’s The Moment and Digital DNA in Belfast
Matthew Scott is the CEO of Navada Group. Navada HQ is in Newcastle Upon Tyne, but it has a presence in Belfast, London, New York and about to open an office in Sweden. But the founder is from Bangor. He lives there now in preparation for a major development expected to be announced officially in June.
Deepa talks about her journey from being a teenage photographer, studying social policy at the LSE in London, moving to Belfast to work as an equality officer in the city, becoming an artist and now a creator of virtual reality and immersive experiences.
With an investment estimated to be over £1million from its new owner the Wireless Group, Belfast radio station U105 has moved to new offices and studios in a lough-side development.
A week after a nervous mid-day hand over from Frank Mitchell who presented the last programme in Havelock House to Carolyn Stewart in the new City Quays HQ, I sat down with current station manager Peter McVerry and the first station manager John Rosborough.
The convenience: at one time I owned more than 5,000 of those vinyl albums. At one time or another the total, 10,000 would be a close approximation. I own none now. Precisely zero. Gave them all away. They took up so much room. But I have begun to buy books again. Paper books.
Its website says “FutureLearn aims to pioneer the best social learning experiences for everyone, anywhere.” With leading educational partners from around the world, it offers hundreds of courses. “Podcasting” isn’t one of them, but there are a few relevant courses that might interest a podcaster.
Not everyone uses music in their podcasts and not all of this taster course will be relevant to podcasters, but I thought someone might find Music Copyright and Me useful.
“Having an intention is really important. The intention [of The Radio Stuff Podcast] was and is to connect radio lovers around the world and share great ideas and be as positive about the radio industry as we can. It’s really about following our curiosities and talking to interesting people.” This section asks you to identify the purpose of your podcast. If you like, leave it for now and come back once you have read the rest of the book. The purpose will always be central to whatever you do.
This is an introduction to radio and podcast production. Radio and audio podcasts are not exactly the same thing, each have unique factors, but there is a shared core to their production.
As we reach episode 21 … this is the story so far. Now the podcast is part of a project with two books Podcasting for Communities and Podcasting for Student Journalists.
Along with this blog they are a guide for anyone who wants learn to produce podcasts or community radio. I’ve looked at production strategies such as structure, technical challenges, organising a production team, podcast platforms, community management and purpose
I have been listening to a lot of good stuff recently and I should share more often.
For now I’m going to mention two, one a BBC Radio Drama the other a long standing US podcast.
A report by the Knight Foundation about podcasting and on-demand radio “From Airwaves to Earbuds”. With Knight Foundation partners, both public broadcasters, supported by grants, and for-profit companies, which received investments from the Knight Enterprise Fund who provide insight into the fast growing area of podcasting.
Talking to Alex and Freddie of the QI Elves about No Such Thing as a Fish, not only because I’m a fan, but because of the technical and production approach they take. I wanted to know how they do what they do.
As an anchor on the BBC News channel, Maxine Mawhinney probably spends more time interviewing than anything else. The interviewees will be in the studio or remote – somewhere else in the country or really, anywhere in the world. Maxine shares tips on interviewing and presenting.
Two boos to accompany the Podcasting For series.
Stuart Bailie the founding father of Belfast’s Oh Yeah centre hands over to a new CEO. Oh Yeah is a unique place were music is created, celebrated, remembered and the business around I taught. But it has only been one achievement of the man who might have invented the word “Britpop”.
Driven away from morning radio current affairs in this run up to the referendum by lies, exaggerations, appalling condescension and guesses presented as fact, I am re-discovering podcasts. Here are some favourites that have brightened my mornings and evenings now that Today and PM are abandoned.
I spend a lot of the week looking for stories about journalism, technology that supports it and how it’s all changing
I came across Anchor last week. I read it was “Twitter for radio”. That combines my two favourite platforms.
First impressions – excellent. Welcomed by a “real person” with a “real message” and found a couple of other people who I know from Twitter.
Interview with Ivan Novak also known as Saliger, a founding member of Slovenian band Laibach on their 35 anniversary and on his return from North Korea concerts.