Category
Music I like
It was recorded in our kitchen. An odd place to record a podcast. But it’s Saturday morning and Sonja Sleator and Daniel Lynch live nearby, and, why not? A conversation over a kitchen table and coffee.
All Irish or Irish linked this week (I have been listening to other music, too) and Northern Irish..
At the time of posting this is the planned running order for the show tonight on Slice Audio.
An oldies show with a significant difference. Inflammable Material melds punk, post-punk, power pop, and in retrospect some who may have been posers.
This is the playlist for my Slice Audio show Around the World Fridays 19:00 to 21:00 UCT 22 March 2019.
“Welcome to Slovakia” they sing on Hit, a track on Hrdza’s new album Neskrotený. It is a thrill of an album using wit, style and excellent musicianship.
This is the playlist – but not necessarily the order, of Around the World on Slice Audio 15 March 2019.
A downloadable version of the show is also available.
This is the playlist (but not necessarily the order!) from my Around The World show on Slice Audio for International Women’s Day 8 March 2019.
Week 3 playlist and a version of the live show.
Last week (15 February 2019) I started a show on Slice Audio streaming on the internet.
Here is the playlist for week 1
A new mix for the weekend. Some of the tunes connect, some don’t. Overall they are a random selection. There are bands and tunes you have never heard before (honestly worth hearing) and some you’ve forgotten you even knew.
My second MixCloud mix. If nothing else punk has having a bloody good time – hence the title of this episode Punk! Ha ha!
After much messing about I have signed up to Mixcloud to try it out. Not so many clever mixes, more a playlist.
This is a Song from Europe part 1 (there may be more) and the first episode on what I call Davy Sims’s World Music Radio.
It has taken quite a while to write about Syrian music that I have found on this imaginary trip around the Mediterranean. After a slow start, I found at least two fabulous bands, and many other fascinating musicians.
My hyper-superficial imaginary music tour of the Med. continues. We are in Greece this time.
Music journalist Stuart Bailie’s new book Trouble Songs will be officially published in May, but it’s already starting to stir conversations and commentary. He takes on difficult stories from our history since the mid-1960s at the place where music meets social and political change and through interviews and analysis tries to understand and explain what happened.
It will be in the shops around now, but you can also order it on the web at TroubleSongs.com
On this episode the story of the Oh Yeah music centre with Charlotte Dryden and Paul Kane. There’s music from Hand Models, Reevah, Strange New Places and Cut in Blinks.
Time for a breather and look back on the last few months’ music collecting. We started our journey in Gibralter, and I am pausing here on the doorstep of the Balkan peninsula. I hope you enjoy this music as much as I did. Do watch the videos, too.
To the deep south of Italy to discover some of the most exciting and invigorating music that I have heard for years, all the more enjoyable as I have never heard of Pizzica music, seen such big tambourines or ever considered that at Italy’s heal there was such a concentration of superb musicians.
Then I discovered the “Related Artists” link on Spotify. (As I write incidentally I am listening to this.) A few years ago I lamented on Facebook that I was just so tired of music.
I have rediscovered the excitement of finding new (to me) music that I once had as a DJ.
I was in Ljubljana on a Saturday morning to record some of the sounds of the streets. Particularly the street music and the other music seeping out of buildings in the historic old town.
Three years ago, when he released his international debut album Hotel Univers, it seemed that Jupiter Bokondji would be the new hero of the African music scene. Here, after all, was a Kinshasa veteran with a real sense of danger in his singing, who had proved equally exhilarating playing live. Now, at last, comes the follow-up, and though it’s a six-track mini-album.
Gaye Su Akyol’s influences, she says, include the veteran, highly political Turkish folk singer Selda Bağcan along with Nick Cave and Grace Slick, and the result is a set of compositions that are both dramatic and distinctly Turkish.
Amira Medunjanin is the finest exponent of sevdah, the melancholy and emotional folk music of Bosnia, and is remarkable not just for her clear, pained voice, but for the way she balances respect for ancient styles with experiment.