I came across a couple of interesting and very useful resources which I want to let you know about. I’ll also be adding them to the PodcastingFor.com Podcast Production Resources page. In the Podcasting for books, Podcasting for Community Organisations (here on Amazon UK, but also available in other Amazon stores Kindle and paperback) and Podcasting for Read more about Some new resources The Turnaround and Audacity tips[…]
I was recently interviewed by email by Index on Censorship about podcasting. This is what I was asked and what I wrote: – Podcasting was “the next big thing” a few years ago and then failed to hit the mainstream but now appears to be enjoying a rapid renaissance. What do you think is behind Read more about Podcasting Interview[…]
Its website says “FutureLearn aims to pioneer the best social learning experiences for everyone, anywhere.” With leading educational partners from around the world, it offers hundreds of courses. “Podcasting” isn’t one of them, but there are a few relevant courses that might interest a podcaster.
Not everyone uses music in their podcasts and not all of this taster course will be relevant to podcasters, but I thought someone might find Music Copyright and Me useful.
I have thought about distributing this through the podcast, but as people expect an audio file, not a PDF, I decided it was better to post this PDF here and allow anyone to download it … for a short time at least.
Podcasting for Journalism Students bookIt is available on Kindle and as a paperback
The book is for young, trainee, or student journalists not specialising in broadcast media. It is an introduction to “making content”, podcasting and broadcasting whether you want to understand production on a professional level or simply because you want to create podcasts for fun or add something useful to your CV.
Even the simplest podcast or radio programme has a structure. Whether you have thought about it or not, you are going to have a beginning, middle, end. The question is, how can you best structure your podcast to bring your listener through from beginning to the end, keeping the listener informed, surprising them with information they did not already know, motivating them to become involved and leaving them wanting more? There is more than a dash of showbiz in your average podcast.
A podcast will have a running order which communicates to everyone involved what is planned and what is happening. The running order starts out the prospects owned by the producer which also keeps everyone informed about the progress of the show’s production.
Recording away from the studio. There are all sorts of reasons why you would record outside. A podcast episode can benefit from changes in tone and atmosphere. Reporting from a place rather than just about a place can give context to the story. It can add new textures and make the episode more interesting.
“Having an intention is really important. The intention [of The Radio Stuff Podcast] was and is to connect radio lovers around the world and share great ideas and be as positive about the radio industry as we can. It’s really about following our curiosities and talking to interesting people.” This section asks you to identify the purpose of your podcast. If you like, leave it for now and come back once you have read the rest of the book. The purpose will always be central to whatever you do.
This is an introduction to radio and podcast production. Radio and audio podcasts are not exactly the same thing, each have unique factors, but there is a shared core to their production.
A report by the Knight Foundation about podcasting and on-demand radio “From Airwaves to Earbuds”. With Knight Foundation partners, both public broadcasters, supported by grants, and for-profit companies, which received investments from the Knight Enterprise Fund who provide insight into the fast growing area of podcasting.