My plan had been to divide the coast into four. Like Spain, take the regions and departments of the French Mediterranean coast and track the music I find attributing it to Occitanie and subdividing using the departments
then move to the next region, Provence-Alpes-Côte d’Azur and its six departments
But when I “got there” figuratively speaking, that all began to feel more like a geography lesson less than a musical puzzle and very quickly became very boring.
Practically, it was difficult – with a few exceptions – to ascertain quite where any band or musician was from. There are the Occitanie and Marseilles groupings. Anything more geographically determined or aligned was just, well, unsolvable. Realistically not every band had members from the same town or were HQed in a town.
So, in my mind I have divided it into two very generic types – the rural and the urban. In effect Marseilles and everywhere else.
(If all of that stuff interests you, I have added the draft post at the end.)
It was music from this region that twanged my interest in the search-the-Med-for-music trip. I have no idea how or when I came across them, but the first is Dupain. I bought their newest album La Sòrga rather impulsively after hearing a few seconds from one of the tracks. The video below is a concert from 2004.
Dupain are a Marseilles band, so not rural. Neither are they a gritty city band. Perhaps they are a bridge. If I had time to delve further I might discover they are an anomaly. City or rural, they are Mediterranean.
Discovering Dupain led me to, and again I don’t know how, (possibly Spotify), La Mal Coiffée (Bad Haircut) from Aude and Hérault. They are a five piece all woman acapella or polyphonic group who sing great songs and make brilliant videos. Here’s my favorite.
These are two of the highlights of this region. In the (very general) Pyrenees area there are other polyphonic bands such as Mauresca (on the Spotify playlist) along with some other excellent music with roots in both the traditional music of the area and eccentricities of the region – there are some very odd sounding bands. Highly entertaining.
At one of the early stages in the project I said something about not looking for modern rock or pop music or variations on American music including rap. I might not be able to stick to that, because one of the most important bands here are IAM. I came across them not through a music link, but t literary one. Their music is discussed in Jean Claude Izzo’s Total Chaos or in the original French Total Khéops. The song Non soumis à l’État (Not a subject of the state) plays its part in the story. And it is bloody good.
Their 1989 Total Khéops is on the video playlist, below. The video playlist is thin, I hope to add more to it later. Massilia Sound System are also mentioned in the book and on the video playlist.
I have also started to use a new resource, EthnoCloud (login probably needed) where I found Radio Goulash (electronic-ish, French-ish, North African-ish), L.Giacomini (acoustic, melodic), and Pecheurs De Perles who are strongly mid-eastern/Mediterranean. But here’s an idea if you should form a band. Don’t name it after one of the most popular operas ever with the most famous duets ever. Makes your name all but unsearchable.
I read “Submission” a novel by Michel Houellebecq. I don’t know whether I was supposed to find it funny, but I laughed a lot, several times particularly when I gave my French narrator a posh English accent.
Producer - Broadcaster - Podcaster - Writer - exBBC Editor - exTEDx Organiser. Author "Podcasting for Journalism Students", "Podcasting for Community Organisations" and "Firsthand Guide to Bled Slovenia" - all available on Amazon.