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Slovenian Flag flying from Bled Castle

Slovenian Flag flying from Bled Castle

I must confess I have not paid much attention to this blog over the last … well, a long time. When Dawn and I went to Slovenia in June 2014, I planned to write about our experiences in another blog , but that went the way of all good intentions.

What I missed of course, was a record of a wonderful six months. Yes there are photos and videos and memories, but sometimes it is good to look back on the impact at the time. So this is a reminder to me to blog this time.

While away I will be managing Lake Bled News – a small website for visitors to Bled

We leave for London in the morning (Sunday 3 May) and then on to Slovenia on Monday.

Me – Soft Machine – John Peel – Faces – 1972

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It must have been 1974 or thereabouts. As I turns out it wasn’t — read on ….

It was the Top Gear 5th anniversary programme. This Top Gear was not a motoring programme – that was to come in a few years. Top Gear – who knows why it was called that [?]– was the name of John Peel’s radio programme on Radio 1.

My God it might have been 1972 … I was 16. Ohhhhhh it was!

Anyway, this week [starting 5 January 2015] “Marcus O’Dair’s biography of Robert Wyatt, a musical cult cum national treasure, is abridged in 5 parts by Katrin Williams”: has been on radio 4 — find it now on iPlayer. I’ve not thought of Wyatt as a national treasure before now, but I suppose he is. I do remember when he had the accident which left him as a wheel chair user, Peel asking people to send him letters. i started one – but figured I wasn’t smart enough to send a letter to Robert Wyatt, so didn’t.

I had a cassette – “Top Gear’s 5 anniversary programme” – so it was 1972. I recorded songs as Peel played them. While listening to the Radio 4 Programme this week all I could hear in my mind was this song which I had recorded on the cassette … tonight I found the song. In 1972, I stopped recording on my cassette machine at about 5 minutes in. Seriously – it is boring …. 4 years later Peel; would be promoting Clash and Pistols etc … This was the beginning of the end for Prog Rock ——
You youngsters … you have no idea. I hear a radio programme this week, I search YouTube tonight I find an obscure tune from my youth … and you share photos of cats.

Anyway if I remember rightly the next track was this from the Faces … much more fun than Soft Machine.

Now — go on — share your memory —-

How the Web has changed the Wireless

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(This is the script of a presentation I made in Dublin on 3 December 2014)

The latest “Internet Sensation” is not cute cats playing piano, not a politician embarrassing themselves in front of the camera, not a racist Tweet from a Premiership footballer. Although all of those are candidates … almost anytime.

No, the latest “Internet Sensation” is not even a video – it is a radio programme, and what is even more remarkable about this “radio programme” is that it has never been broadcast on the radio – not in any conventional sense of what we historically have known the radio to be. Today I want to talk about How The Web Changed the Wireless – see how clever that is with just the right number of Ws?

The web has changed everything. It has changed Journalism, it has changed Broadcasting. It has changed our relationship to the story, whether we be Journalists or the Audience. The web has changed the Radio in 3 specific ways; distribution, interaction and production.

Distribution
We hear radio programmes from around the world that we didn’t know existed. Among them This American Life from NPR. Once popular in the States, now listened to all over the world. Even satirized by the Simpsons. “Serial” is from the This American Life family sharing the same production team and some of the style.

Serial is a 10 part podcast – although WikiPedia has set out a 12 week grid – and Wikipedia tends to be correct. In many senses it is what we would expect from a radio programme – but it has more. First, each episode has the time that it needs. Episode 9 is 48 minutes, episode 7 is 33 minutes. Second, it takes 10 episodes to tell one story.

The over arching story concerns itself with a murder. A 17 year old boy – an honour student – is charged and found guilty of murdering is former girlfriend. The murder, investigation and conviction were in 1999.

In many ways this is a conventional radio programme. There is a presenter with an outstanding talent for talking directly to the listener, there is commissioned music, both simple and haunting. There are contemporary recordings of police interviews, new interviews with friends and family of the victim and the boy. He himself is interviewed from prison. This is radio. This is journalism.

But this radio programme has never been broadcast on radio. It is a podcast. According to Apple – the fastest ever to reach 5 million downloads.

Downloads and Streams
download-stats

The Web has changed everything and has given us audio downloads (including streaming). Between March 2013 and March 2014, the average monthly downloads of BBC radio programmes was 71 million per month. And the radio programmes – unlike the TV programmes are available world wide. RTÉ declined to tell me about their figures saying it was “commercially sensitive”. I do not understand why it should be – most organisations crow about their podcasting successes.

We now interact differently to radio whether a programme or a report.
Once the journalist delivered the story for publication and aside from the odd complaint, compliment or award, that was job over. Now the programme or report – audio, video or text – is available on the web anytime. Whether there is a comment box or not is irrelevant. The audience will repost on social media platforms. The audience continues the story. I was once doing some Social Media training at the Belfast Telegraph and one of the reporters was aghast that people would comment on his story.

Production
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Compared to television, radio has always been a flexible medium. A phone in the right place and you can get the live report, the actuality, the interview more easily and from places an OB truck could ever reach. Although the Web has changed TV, too. Working for New York’s WMCA in 1945, Barry Grey was bored with playing music and put a telephone receiver up to his microphone to talk with bandleader Woody Herman. Soon followed by listener call-ins, this is often credited as the first instance of talk radio.

Now journalists often use Twitter and Facebook to find stories, interviews and leads. You can now produce a complex radio report with interviews, sound effects, actuality,
Music and commentary, mixed over a number of tracks.

unnamedThe web and digital technology have enhanced radio, brought programmes to new audiences, let us interact with the story in new ways. Strengthened the medium, and Serial introduced a new genre.

Networking Hours and #BelfastHour

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UPDATE – This event is now cancelled

Last night Friday Night Mashup ‏@FNMashup cleverly jumped on the @BelfastHour networking session to promote their Christmas Party (5 December at T13 Get your tickets and more info here ow.ly/ECNiH).  

#Belfasthour was set up “to help Belfast businesses promote each other & connect.” The Twitter only event takes place every Thursday between 9pm and 10pm. It’s hosted by @Edwardsandco_

@CrawfordDorcas of @EdwardsandCo_ tells me via Twitter, “#Belfasthour starring everywhere – started just 5 months ago & already winning major awards!”. Edwards & Co is in the part of Belfast’s Cathedral Quarter where you are more likely to find creative businesses and digital start-ups – it has (by this morning 21 November 2014) 3344 followers and follows 2609.

#BelfastHour is one hundreds of Networking Hours that have sprung up. Bee Social Marketing @BeeSocialUKhave compiled a pretty exhaustive list here along with some of the back story and etiquette.